Music of Gaspard Kummer project:
the Friendly . . .
project of chamber music by Kaspar (Gaspard, Caspar) Kummer
Kummer is back. This 19th-century composer is so obscure, he is missing
from even the most detailed music history books. But Red Cedar loves his
chamber music & we were determined to give him a come-back! We find his
music charming and invited some of our favorite period-instrument players
to join us.
Kummer's music was performed on instruments crafted in the 19th century. Flutes, for example, were by Viennese makers Ziegler and Koch.
In 2010, a series of concerts celebrated the chamber music (with guitar)
by the little-known German composer, Kaspar Kummer.
The project culminated in
–– an invitation to perform Kummer's music at the Royal Northern
College of Music in Manchester England.
–– a compact disc recording of Kaspar Kummer's music released
in March, 2011 by Fleur de Son Classics of Buffalo, NY.
–– an edition of Kummer's Quintet Op. 75 published by Falls
Jan Boland & Douglas Worthen, flutes, David Miller, viola,
John Dowdall, guitar & Loretta O’Sullivan, cello
director of the British Flute Society issued in invitation to
Red Cedar Chamber Music to perform on the opening concert of the
British Flute Society's 7th International Convention in August, 2010.
Pictured above are the artists in concert at the
Kummer's Quintet Op. 75.
Jan Boland & John Dowdall at the Royal
College of Music, Manchester, England
Op.75 for two flutes, viola, guitar and cello
by Gaspard Kummer
Allegretto non tanto (7:49)
Andante poco Adagio (3:41)
Allegretto con moto (5:21)
Op. 83 for flute, viola and guitar
for flute, viola and guitar (21:51) by Gaspard Kummer
poco Allegro (2:54)
Poco Adagio / Theme & Variations (11:35)
Op. 92 No. 2
for 2 flutes and guitar (6:49) by Gaspard Kummer
Op. 81 for flute, viola and guitar
for flute, viola and guitar (16:22) by Gaspard Kummer
non tanto (5:29)
Adagio non tanto (3:44)
Minuetto poco Allegretto (2:25)
Rondo Allegretto (4:44)
• February 20, 2010 __At Hiawatha Library, Hiawatha, IA
• February 20 __ In Sedlacek Hall at Cottage Grove Place, Cedar Rapids, IA
2 __ First Presbyterian Church, Marengo, IA
June 3 __ Sondheim Center, Fairfield, IA.
June 4 __ Wesley United Methodist Church., Vinton,
June 5 __ Main Stage Concert. At First Presbyterian
Church, Cedar Rapids, IA
• June, 6-8, 2010. Recording sessions in King
Chapel, Cornell College Campus, Mount Vernon, IA
• August 22, 2010. Opening
night concert of the British Flute Society International Convention. Manchester,
About Kaspar Kummer
Given the quality of his music and the high esteem in which he was held by his contemporaries, I am surprised that today Kaspar Kummer is largely ignored. Indeed, ask any musician working today if they know of Kaspar Kummer, and you may find that only flutists and pianists (they
play his studies) know his name. His biography does not appear in leading music dictionaries,
and information printed about him is largely taken from the account of
his life and works found in Richard Rockstro’s The Flute (1890).
According to Richard Rockstro (The Flute, 1890) we can count Kummer among
the most important 19th-century composers for the flute. Rockstro writes
"I know of no composer of music for the flute, whose works are of
such uniform excellence as those of Kaspar Kummer." He continues
saying, “His music had finesse, elegance, and noteworthy clarity.”
Kummer, Kaspar (or Caspar or Gaspard) (1795-1870) was a German flutist,
teacher and composer. Mr. Rockstro gives a brief account
of his life saying he studied and played several musical instruments before
following Louis Drouet as first flutist and then Kapellmeister of the
Castle Chapel of Herzog Ernst I of Coburg-Gotha. Here he developed his
reputation as a renowned virtuoso and teacher. He composed a large body
of chamber music works, including two Serenades (Op. 81 and Op. 83) for
flute, viola and guitar and a set of three. Divertissement Op. 92 for
flute, violin and guitar.
Kummer played a flute with 8 keys and small tone holes which, at this
time, was the popular system of flute in Germany. Playing his music on
this flute is perhaps the way to hear Kummer’s music at its best
– the sweet tone and subtle expression of the eight-keyed flute
lends itself beautifully to this music.
All artists are period instrument specialists. For this project, they
performed on period instruments (not replicas) from the early 19th-century.
Jan Boland, 19th-century 11-keyed flute by Koch
Jan Boland, flutist and co-founder of Red Cedar Chamber Music,
has appeared in concert at festivals in Europe, Canada and the U.S. Her
concerts and recordings feature musical interpretation on both modern
and historic 19th-century flutes. The National Endowment for the Arts
awarded Boland a Solo Artist Fellowship. Her Method for the One-Keyed
Flute is published by University of California Press. She holds a Doctorate
in Musical Arts from the University of Iowa.
John Dowdall, guitar
John Dowdall, guitarist and artistic director of Red Cedar Chamber
Music, studied guitar performance at the University of Minnesota with
Jeffrey Van and at the Hochschule für Musik in Vienna. He was awarded
a Solo Recitalist Fellowship by the National Endowment for the Arts and
holds a Master’s degree in musicology from the University of Iowa.
His arrangements of music for flute and guitar are published by ALRY.
Douglas Worthen, 19th-century 11-keyed flute by Ziegler
Flutist Douglas Worthen has recorded with the Handel and Haydn
Society and the Mannheim Quartet. His recording of works by Sigfrid Karg-Elert
has received critical acclaim. Worthen has performed as soloist in Switzerland,
Japan, France, Canada, Russia and the Netherlands. In 2004, he was awarded
an artist fellowship from the State of New Hampshire. Dr. Worthen was
appointed to the faculty of Southern Illinois University Carbondale in
Violist David Miller has served as principal violist for numerous
Baroque and Classical orchestras including the Boston Early Music Festival,
the Handel & Haydn Society of Boston, the New York Collegium and the
American Classical Orchestra. Chamber music affiliations include the Red
Cedar Trio, the Classical Quartet, Aston Magna, the Bach Ensemble and
Concert Royal. Mr. Miller holds degrees from Oberlin College and the Juilliard
Loretta O’Sullivan, cellist and baroque cellist, plays
solo, continuo cello and chamber music with many of this country’s
leading ensembles and orchestras, including the Four Nations Ensemble,
Opera Lafayette, Aston Magna, The Grand Tour and the Bach Choir of Bethlehem.
She can be heard on numerous recordings with the Haydn Baryton Trio, the
Classical Quartet, the American Bach Soloists, the Apollo Ensemble and
Red Cedar Chamber Music.
“Red Cedar has always given excellent performances, but this evening’sconcert
has been outstanding!
Kummer’s music is an ‘awesome find’. BRAVO!” A.H.
“Elegant, filled with spirit. The artists’ enjoyments are
contagious and uplifting- and, as always, Red Cedar keeps
reaching to enlarge its repertoire, keeping their music fresh.
Fresh is a good word for it all.” T.M.
“All five of you put your body and soul into the music
and become one with it – I will relive that as I listen to your
upcoming CD.” E.P.
“Thanks for bringing us Kummer – such lovely music
and beautifully (and lovingly) performed.
This CD will be a must for me.” W.S.